ORWO Wolfen NC 500 Film Review

ORWO Wolfen NC 500 is the new colour-negative film that began rolling out to retailers earlier this year. As many have pointed out, it delivers mixed results, which is why I will discuss how to get the best images with it at length in this post.

But perhaps the most exciting thing to know about NC 500 is the fact that it is an entirely new colour emulsion. This film is made in a factory owned and operated by a German manufacturer. It is the only colour-negative film produced today that isn’t made by Kodak, Polaroid, Lomography*, or Fujifilm.

✱ — Lomography is known to use various sources and manufacturing partners to produce their unique and rebranded films, but as far as I know, they don’t own any plants that make their emulsions.

TL; DR: For best results, shoot ORWO Wolfen NC 500 in sunny weather, watch your exposures, and don’t be afraid to edit your images in post.

In this review: A brief history of ORWO film brand. Wolfen NC 500 grain, structure, resolution, and sharpness. Wolfen NC 500 dynamic range. Wolfen NC 500 colours. Scanning and post-processing tips for Wolfen NC 500. How much does ORWO Wolfen NC 500 cost, and where to buy it. Support this blog & get premium features with GOLD memberships!

A brief history of ORWO film brand.

My parents used ORWO-branded slide film around the time they got married back in the USSR. It was produced in East Germany, so my Moscow-dwelling mom and dad could purchase it and use it freely (imports from non-Soviet-friendly countries were illegal).

Unfortunately, the ORWO factory, which was built in the town of Wolfen by AGFA in 1910 did not survive the turbulent European history of the 1990s. It closed its doors in 1994.

Since then, the ORWO name has changed hands a few times until finding use again with InovisCoat GmbH — a company rumoured to also produce films for Lomography. Those of you who tried shooting Lomochrome Metropolis may find some similarities in grain and colours between the “world’s first truly new color negative film stock in over a decade” and today’s new Wolfen stocks.

Recently, ORWO released two new colour film stocks: Wolfen NC 400 and Wolfen NC 500. Both films have a box speed of ISO 400 and, according to the samples I’ve seen online, look similar, except that NC 400 tends to render cooler tones overall.

From what ORWO said about their new film, NC 500 is based on an older movie stock, Agfa XT320, which was used to shoot feature-length Out of Africa and Who Framed Roger Rabbit films.

Wolfen NC 500 grain, structure, resolution, and sharpness.

NC 500 renders chunky grain.

ORWO does not have the datasheet for Wolfen NC 500; thus, there are no scientific measurements (RMS or PGI) for this film’s grain size. But to my eye, it looks to be the grainiest (new) colour film I’ve tried so far.

The grain is very sharp — as opposed to cloudy — which is why you can still get a decent amount of detail/crispness from this film. Still, it’s no Portra. The graininess tends to subside in the highlights, whereas the mids tend to look very crunchy.

Many have suggested that this film should be metered at a lower speed than the box (i.e., over-exposed); I tried that but unfortunately, I lost my experimental shots during a developing mishap. There’s one more roll in the fridge which I intend to try again at various exposures — once that’s done, I will update this article.

For now, I only got a hint of what this film would look like when slightly over-exposed:

And here’s a clearer depiction of the film’s grain. If you’re reading this article on a mobile device, turn it sideways to get a larger/zoomed-in view:

Wolfen NC 500 dynamic range.

Since there’s no datasheet for this film, understanding the dynamic range of Wolfen NC 500 is a bit of a guessing game. However, I managed to get a photo in a familiar place that clearly shows exposure capabilities in both shadows and highlights.

As you can see in this photo of my tiny dog waiting for me to carry it over the fallen log, the brightest areas (tree trunks on the left) have very little detail remaining. They appear to be slightly beyond this film’s ability to display information. The darkest shadows appear black.

From experience shooting a lot of photos in this area using the Sunny 16 rule and with the help of my Sunny 16 Calculator, I can tell you that the highlights here are likely middle grey for EV14. The shadows with some detail still visible are probably EV7. Thus, a very rough estimate for Wolfen NC 500’s dynamic range is about 7 stops.

This places NC 500 somewhere in the middle when compared to other colour films, although nowhere close to the legendary Portra 800’s 12.5 stops of dynamic range or Portra 400’s 12 stops. Both of those Kodak films can capture a vast range of light intensities in a single frame, close to how the human eye would see the world.

ORWO’s emulsion (the same as most other films and even modern digital sensors) can’t do that, so you should be mindful of the light when photographing with it; you can use a spot light meter to figure out the EV values in the deepest shadows and brightest highlights and ensure that the delta is less than 7 stops if you’d like the details to be visible in both areas.

Wolfen NC 500 colours.

Colour-negative films without a deep-orange mask often have trouble showing good colour via certain scanner software or when returned from the lab. (NC 500 has a greenish mask). However, when scanned and inverted using the method described below, and after a slight adjustment in Photoshop — or your photo editing software of choice — they could look captivating and surprisingly life-like.

Without adjustments, inverted by hand (for consistency, as I do with all the films reviewed on this blog — unless otherwise noted), NC 500 shows very little colour saturation. Gloomy weather (more blue light) and scenes that lack strong contrast appear as if the colour was drained from them. Compare this photo of a very purple car shot on Wolfen NC 500:

...to the photo of the same car from a different angle, shot with Kodak Gold:

I think that the difference is pretty stark. But that doesn’t mean this film isn’t usable in gloomy weather: if the scene lacks colour in general but shows strong contrast, the results may end up looking rather fitting.

Despite looking desaturated in many of my shots, I think NC 500 has significant potential to look true to life if the light is right. After all, the promotional materials for this film showed plenty of colour. So I went to a local beach and took a few shots during one of the warmest (hue-wise) sunsets of the year.

The unedited results certainly appeared more saturated, but as someone who usually seeks just a bit more contrast in photographs, I still felt dissatisfied. This is certainly a look that can be taken advantage of to create a mood. Still, I felt that there must be some flexibility within the emulsion that would allow me to make images that appear closer to how I see the world. So I tried some editing and even plaid around with the saturation slider to see how far I could push it without going overboard with the adjustments:

Scanning and post-processing tips for Wolfen NC 500.

NC 500 is very far from the clinical perfection of a modern digital camera when it comes to colour reproduction. It’s grainy, and its colours are muted. But despite all that, I found that it was very good at reproducing my skin colour, and it could look even more realistic with a slight bump in saturation — a quick adjustment in Adobe Photoshop.

Some users complained about the variety of colour casts seen in their results from the lab. This is often the case with colour-negative films that don’t have a deep orange mask — even the pro emulsions, such as Kodak Aerocolor IV, may cause issues with certain scanner/software combinations.

Scanning and inverting this and other films using the digital negative method (i.e., scanning as a slide and then inverting by hand in Photoshop) prevents the majority of unexpected colour casts associated with colour-negative films with clear or non-orange film masks. But you will still need to make some colour balance adjustments afterwards.

With Wolfen NC 500, I used Photoshop’s Color Balance adjustment layer to decrease some of the green hues and bump the yellow in the shadows and mid-tones while generally leaving the highlights as-is.

Those changes do not have to be extreme or significant. The portrait above has only a slight bump in saturation, whereas the image below and some other photos in this article had no changes applied to them at all (after scanning and inversion).

How much does ORWO Wolfen NC 500 cost, and where to buy it.

As of this writing, ORWO Wolfen NC 500 sells for about $16-20/box of 35mm 36exp. rolls. It’s available from various retailers (including the ones linked below), sold in colourful blue boxes and packaged inside recyclable plastic cans.

❤ By the way: Please consider making your ORWO Wolfen NC 500 film purchase using this link so that this website may get a small percentage of that sale — at no extra charge for you — thanks!