That slight but noticeable bias towards reds in the shadows and the characteristic graininess remind me of another film stock I recently reviewed: ORWO NC200, which is also sold as KONO Color 200 and OptiColour 200 — analog.cafe/r/kono-color-2….
Of course, that does not have to be the same film, nor should that matter terribly, as either of the above looks like a great medium-speed colour film option for most applications.
Lomography launches LomoChrome Classicolor, its first¹ ISO 200 colour-negative film.
And it’s nothing like Kodacolor — more on that later. The film is available for pre-order today (est. shipping November 2025) for $11.90 in 35mm/36exp. with DX codes². 120 and 110 formats expected to come next!
Lomography describes their LomoChrome Classicolor 200 film as having “true to life colors with the classic charm of analogue photography” and “a regular color negative film boasting remarkable adaptability across various environments and lighting conditions” — which they attribute to the limited-edition 2025 Formula.
I found that 675 hearing aid zinc-air batteries are a a great replacement. And those are dirty cheap compared to the wein, which looks just like a 675 with an o-ring soldered in :). For cameras with bigger battery compartment (shaped to fit old mercury batteries) you could get an adapter (the one without a resistor) for cheap.
It’s official: Eastman Kodak’s two new films are Kodacolor 100 and Kodacolor 200. Here’s why they are so special.
What are those films? I’ll answer that, but here’s a better question first: How are these films distributed? This is the first time in over a decade that Kodak is finally selling film without the shadow of past bankruptcy standing between the factory and the photographer.
A day after the leaked new box design was revealed, Kodak’s Instagram account posted a message with several sample images:
“For the first time in over a decade, Kodak will sell these films directly to distributors, in an effort to increase supply and help create greater stability in a market where prices have fluctuated.”
Kodak is not a stranger to having several versions of its film sold under various brandings. Sometimes, those versions may exhibit qualities that visually set them apart, enough to be easily recognizable (when you know what you’re looking for).
Check out this comparison of all the modern ISO 800 colour films on the market: analog.cafe/r/all-the-iso-….
I’ve previously compared two very similar Kodak films that are branded differently: Kodak Gold and Kodak ColorPlus. These films are a lot closer to each other than some reviews may suggest, although I did find some slight differences: analog.cafe/r/kodak-gold-v….
I am curious whether there would be differences between ColorPlus and Kodakolor 200, and whether Kodakolor 100 will come with datasheets (which could help us understand the relationships and the underlying qualities of the above films).
@dolo_foto showed off what appears to be a brick of the new 35mm Kodak film on Threads, promising to share the results soon: threads.com/@dolo_foto/pos….
Some folks have suggested that Kodacolor 100 may be the same or similar film to Kodak Pro Image 100 (reviewed here: analog.cafe/r/kodak-pro-im…) — if that’s the case, I would be very happy, as it’s my current favourite choice for both casual and product photography.
The recent Canada Post strike escalation may impact film and camera sales in Canada and elsewhere.
If you’ve ever shipped anything from Canada to the US (or the other way around), you may be aware of a slew of new challenges to commerce between our two countries — well, they just got worse.
Shipping to and from Canada via EMS (the standard and often the cheapest and most reliable international shipping method used by services like USPS, Royal Mail, and Australia Post) got disrupted last Thursday when Canada Post escalated its strike from limited service to a complete halt.
Canadians looking to get vintage camera gear or film may have to pay higher fees and deal with services like FedEx.
Please note that film Q is currently being verified by Dropbox to become a production app. While this is happening, new film Q accounts may not be created.
Analog Sparks announces their third year’s award winners 🎉
The international analogue photography competition has recently announced its numerous winners, including the Photographer of the Year 2025 award, which went to Peter Varsics.
I’m also happy to see Yvonne Hanson, with whom I worked on numerous projects at Analog.Cafe, as a 2nd place winner in the Architecture category with her series “Cacophony,” analogsparksawards.com/win….
Dmitri
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Robert Pustułka
Dmitri
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Robert Pustułka
Robert Pustułka
Dmitri
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Dmitri edited on Oct 3, ‘25
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Dmitri edited on Sep 27, ‘25
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Robert Pustułka