Hi Analog.Cafe readers! I’ve just shipped an update to the website, which should improve your reading and navigation. Here’s what’s new in version `3.21.1`:
• Serif title fonts (for legibility),
• Tables of contents in long articles,
• Better contrast in the dark mode,
• “Scroll up” buttons next to article headers,
• Optimized HTML (for faster page loads),
• And a “Refresh” button on the homepage.
I’ve been updating this website’s design and the digital “guts” every couple of months (or days) since 2017. Since web design isn’t typically part of a conversation when talking about film cameras, I usually kept those updates behind the curtain.
However, web design is a big part of how we communicate, so I’d like to try sharing this journey of blog-building with you under the #website tag.
If you’re having any issues using this website or have suggestions, I’d love to hear them! You can share them publically by adding #website to your comment here or privately via email: analog.cafe/about#contact
It’s hard to say without trying both cameras. I loved my Rollei S, it’s one of the best-made cameras out there. MiNT won’t have the same tools or materials to make a camera, but it’ll come with some very nice automation features.
So if you’d prefer a point-and-shoot camera with the same form factor as the original Rollei cameras, you may like to wait (perhaps wait for someone to review it as well).
Otherwise, you can’t go wrong with the original S. It’s really good.
I own the coveted 1.2,42mm std lens,Pen FT,but it produces a softer image untìl stopped down to 2.8,so it is good for portraits wide open.I also have an angle magnifier and bellows -slide copier,also soligor500mm ,mirror lens and a pre set 180mm soligor lensf2.8 both used via adapter to mate practica thread to olympus Pen fitting.One note re B&W Negs I used to be OCD re developing,temp control,filtering,dust control and exposure.I had a Vinson enlarger taking max 6x6 negs
With an excellent Nikkor enlarging lens and an effective mask for half frame. Waiting minutes for a lorry to pass by on the road to expose without vibration.I was a wedding photographer for sometime and used to give 2x proofs for ease of choice,and contrary to then practice, used to give the negs to the married couple.I also used to make slides for lectures using the enlarger column to mount the camera.
Thanks, Dmitri, very interesting and informative article. I shot my first roll of Phoenix yesterday, June 7th, at EI 160. Looking forward to seeing the results.
I had never really been charmed by instant film until I saw Liz Potter’s emulation lift projects. It’s so cool, film’s physicality continues to inspire and impress.
i prefer shooting film because i think the limitations are more fun and inspire more creativity, also it’s so fun seeing your shots once you get them scanned :)
Totally. I find that having too many photos at the end of the shoot makes curating a lot more difficult. Having a physical limit facilitates thinking in advance quite well.
Enjoyed reading your reflections Michael, thank you. Increasingly I’m also feeling the pull towards more film photography again for much the same reasons you give — photography becomes a more mindful pursuit again.
We may get a new colour film later this year or early 2025; it would be coming from China, and it has much to do with Kodak.
Before you read any further, you should know that the info presented here has sparse evidence. Moreover, all things said here are based on English translations from Chinese social media (i.e., the Redbook app).
There, he shared rumours from Reddit that the Chinese firm Lucky (who has already promised a re-release of the B&W SHD400: analog.cafe/r/film-photogr…) may be working on reviving of their short-lived colour film line.
Those colour films, as reported by Kosmo Foto, are the product of Lucky’s collaboration with Kodak in the early ‘00s (kosmofoto.com/2024/05/chin…).
It’s hard to say whether this will mean affordable, quality emulsions based on proven science or litigation that would block sales in the US/EU due to the IP that Kodak still owns. Only time will tell. Remember, this is not an official announcement but rather a collection of corroborated rumours about a Chinese company’s intention to step into colour film production.
There’s something special about shooting on film. The picture you take isn’t a bunch of 0s and 1s. You are literally capturing the light that you see. I feel a personal connection to the image I take. It really feels like you have sucked the scene into your lens and your roll of film. It’s yours. You took the picture. The moment is yours. The story is yours.
I like to shoot on film because of the kind of light you can capture that seems to be unique to the chemistry behind film photography-also because working within the limits of film really makes me consider each shot I take instead of snapping a bunch of mediocre pics on a DSLR.
Dmitri Jun 9, ‘24
Dmitri Jun 9, ‘24
Greg Jaffe Jun 9, ‘24
marcusgunaratnam Jun 8, ‘24
Chris Bone Jun 8, ‘24
Dmitri Jun 3, ‘24
montecristo.ns Jun 3, ‘24
cam3ron! May 30, ‘24
Dmitri May 29, ‘24
ian May 29, ‘24
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Dmitri May 28, ‘24
Levi Breederland May 28, ‘24
yahyaram4 May 26, ‘24
Fabio Morbec May 25, ‘24
Ezra Blank May 25, ‘24