What is the best glue for fixing a leatherette on a film camera?
Pliobond 25 is highly recommended thanks to its excellent gripping power, flexibility, drying time, and solvability in rubbing alcohol for easy removal.
These properties are very important for sticking a piece of leather, which may need to be removed a few months/years later without damage. (Since leatherettes often cover screws that block repair and maintenance access — and they can also deteriorate, thus needing replacement).
However, Pliobond 25 is hard to find and expensive to ship. According to @the120ist on YouTube, the best alternative is either E6000 or a specific double-sided tape: youtube.com/watch?v=cBM0dH…
I’ve added new spaces on Analog.Cafe, where I’ll be organizing some of my thoughts on film photography.
You’ll probably notice #editorial🔥 the most since it’s where I write about product launches and share announcements like this. Comments under this tag may end up in your RSS feed, Community Letters¹, or you may hear about them from me on Mastodon and Bluesky.
A #video🍿 tag lists all the comments with a YouTube link. I’ve added a whole bunch of these, including this epic trilogy of Kodak factory tours: analog.cafe/comments/tnq0.
I finally fixed a mysterious light leak on my Olympus PEN FV film camera.
It’s been bugging me for months. Changing the light seals did not help. In fact, I’ve done it twice, even followed the instructions by the website that pre-cuts them (aki-asahi.com/store/html/p…). Unfortunately, the leaks persisted.
So I tried something new. I loaded a donor (still good) roll of film and advanced it to frame 8. I then left my PEN in the bright sun for a day. Finally, I removed the strip of film that was wound up inside a dark bag, loaded it into a Paterson tank and developed.
The leak was apparent, but it didn’t align with anything on the back. Instead, it appeared as if the light was coming through somewhere above the wound-up spool. You can see it in the video here: youtube.com/shorts/y66XWAm….
1. Go outside in full sun. Point your camera at something brightly lit, and press the shutter button while listening and observing your camera’s lens. The shutter should be very fast and the aperture must look tiny. If your camera defaults to ISO 100 film, it should fire at about 1/125s with an f/16 aperture. It’s often the smallest aperture and highest shutter speed.
2. Go indoors and turn off your camera’s flash. Point it at a dim corner (some cameras will need a certain minimum of light, so look for the darkest spot your camera will work on). Your aperture should look the largest and the shutter should stay open noticeably longer, between 1/15th of a second and 2+ seconds.
Dmitri
Dmitri
Dmitri edited on Apr 27, ‘24
Dmitri edited on Jun 4, ‘25