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Speaking of shadows on pushed Portra 800:
Even though the process tends to decrease the film’s exposure latitude (less detail) in the darkest corners of the image, the colours can still be made to look good. In this image, it’s pitch-black on either side of my long dog, Noodle. Yet there are no casts, and the colour balance looks natural; as you’d expect, places where the eye can’t see are black, and so they are too in this image.
This is in contrast to the blue and purple hues I saw in Jason’s video, which may be the result of the work done automatically by Negative Lab Pro. (This app usually does an excellent job with colour negative scans, but as the case is with all black-boxed scanning software, it can also diminish the scan’s potential without an easy way to fix the issues).