Rollei Prego 100WA
A Pretty Little Point-and-Shoot
8 min read by Dmitri.Published on . Updated on .
Rollei Prego 100WA is a beautiful point-and-shoot with a 28-100mm š5.8-š10.5 Vario-Apogon lens (the maximum aperture changes based on zoom level). It can focus as close as .5m with āmacroā mode or .65m/2ā1Ā½ā normally. The camera has a decent shutter that actuates between 1 and 1/500th of a second. You can use 35mm film with anĀ ISO range of 50-3200, DX code required.
This is perhaps the nicest-looking autofocus point-and-shoot Iāve had that costs less than $200. It feels great in hand and fits nicely in a jacket pocket. The viewfinder is OK in size; it has thin black parallax markings and focus-area brackets. Unfortunately, as with most modern-ish automagic cameras, you will be forced to manually shut off its flash every time in the dusk light, and there is no manual override for focus or exposure.
The camera takes a single CR-2 battery, which is a little rarer than a more ācamera-standardā CR-123 but isnāt particularly difficult to find. Your local drugstore may also carry those as they are often used in medical devices.
If youāre lucky, a wireless shutter trigger/remote will be packaged with your Rollei Prego. Alas, I am not.
In this review: Build quality, design, and ergonomics. Camera lens and image quality. Support this blog & get premium features with GOLD memberships!āāļø Further reading: āCompact Full-Frame 35mm Film Cameras Under $200.ā
Build quality, design, and ergonomics.
This Prego has a pleasantly shaped and well-put-together plastic body with an aluminum faceplate. Significantly better made than something likeĀ Vivitar IC 101Ā but perhaps a step down from theĀ Revue 35XE, which has the best plastic-only build Iāve seen. Overall, it feels relatively modern ā most wonāt recognize it as a film camera.
The LCD, combined with the D-pad control, is very easy to use. Very helpful, considering how many times I had to switch the auto-flash off. It lights up green once you turn on the camera and switches to orange as you cycle through settings until you confirm your selection with the āmenu/setā button.
I appreciate the clear battery life indicator and the ginormous frame counter.
The screenās size allows for an easy layout for all the features in four categories: flash, self, mode, and date. āFlashā defaults to āautoā and could be set to redeye reduction, always-on, disabled, or fill. āSelfā has options for the self-timer to delay taking one, two, or three photos in a row by 10 seconds, with the final setting enabling the remote trigger. āModeā shouldāve been named āfocusā ā it lets you enable macro shots for close-ups or force an infinity focus. Finally, āDateā is the only setting that persists on this camera once you turn it off.
Other than the LCD controls, the mint-green on/off button, and the shutter button, thereās aĀ zoom toggleĀ located just under your right thumb. The lens changes its focal length in five steps; the zoom isnāt continuous. The viewfinder approximates the composition with its movable glass parts, just like most other cameras of the type, i.e.,Ā Olympus Infinity Zoom 80.
The lens will focus reasonably quickly after you hit the shutter button, reminiscent of Pentax PC 35AF. Unfortunately, thereās no indication of where the camera decides to focus exactly, which is a shame as Prego has some trouble with infinity focus.
The lens retracts into the body on power-down, and the glass gets hidden behind the neat plastic doors.
Focus lock is possible by pressing the shutter halfway as you point the camera at an object within the distance youāre looking to photograph; after that, you can recompose and depress it completely to take the picture. Note that exposure is also locked together with focus via shutter half-press.
A green light next to the viewfinder will glow solid when the camera is ready to take a picture or flash if there isnāt enough light.
The film door latch is on the left side of the camera if youāre facing the LCD. Inserting 35mm canisters is a breeze; the motor takes care of everything. Thereās even a button to rewind your film mid-roll at the bottom plate that you can activate with a sharp point like a pen or a pencil.
The battery door bulges out to the right of the LCD with a beefy hinge. I found that I had to snap it closed with a bit of effort. After 5 minutes of inactivity, the camera will power down to preserve its charge.
I havenāt plaid much with flash on my Prego, though the manual suggests that it can recycle in approximately eight seconds, and it can adjust its power depending on the lighting conditions and subject distance. It is also synched at different speeds depending on zoom levels ā 1/45s on wide-angle and 1/70s on the telephoto.
Camera lens and image quality.
The lens on Prego 100WA isnāt necessarily bad. There are a decent number of keepers on the roll of Portra 400 I tried with it. I canāt tell which aperture it uses or which focal length it has during each exposure, but thereās certainly a noticeable amount of variation in terms of sharpness.
Aside from some modest aberration and the light leaks in the photo above, Iām rather happy with how it turned out. The below scan may seem OK at first, but if you take a closer look, youāll notice that itās slightly softer, and thereās considerably more vignetting. Iām noticing some barrel distortion as well. Quite possibly, this is the result of a wider aperture, as this shot is taken at near dusk.
My major complaint about the Vario-Apogon lens isnāt the distortions. I can live with the imperfect glass given the convenience of a small camera with well-designed controls. The main issue with the Rollei is its autofocus. It canāt focus well on objects with low contrast like a clear sky, and thereās no indication by the camera where the focus will fall.
If you know this camera well, you may be able to avoid some of those issues. Perhaps thereās a specific focal length and focusing technique that is the sweet spot. I know it can do better, but you will need time, effort, and sacrificial film to make it so.
I do enjoy having a zoom lens in such a small package. And I really, really like the way this camera looks. But I wonāt be keeping it as I happen to have spent over a thousand bucks on another point-and-shoot; it nails the focus every single time and has a better lens, though, of course, it has its own issues.
Overall, Rollei Prego is a beautiful point-and-shoot; itās quite versatile and straightforward in operation. Despite its glaring focusing issues, it is capable of delivering adequate results. Perhaps less sky and brighter weather is the trick with this one.
ā Fun fact: The manual states that this camera is being sold by an American company, it is marked as āRollei Germanyā on its lens barrel, and at the bottom, it says that itās made in Indonesia.
ā¤ By the way: Please consider making your Rollei Prego 100WA camera purchase using this linkā so that this website may get a small percentage of that sale ā at no extra charge for you ā thanks!